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Visitingthemuseumshouldbeoneofthebestchoicesforthetouristswhohaveneverbeenintheplacebeforewithalimitedamountoftime.Theamazingexperiencewoulddefinitelymakeyourprecioustimemostvaluable.
Onthetopofthat,nothingcouldbeasfascinatingastheexhibitionofthemuseum,whichcombinesthevisualentertainment,theeducationalexperienceandculturalsensealtogethersowell.Theitemsondisplayareoftenorganizedbyprofessionalelaborately,designednottoconfusethespectatorsbuttoprovidethemwithwell-arrangedknowledge.OnewhoonlyreadaboutthelivesconditionsofthecreaturesinMesozoiccanneverimaginethebreath-takingsightwhichcouldonlybeseenwhenhewalksthroughthegalleryofthefossilsofdinosaur.Similarly,athematicattireexhibitcouldimpartthevisitorabouttheconventionofreligion,customandevenideologyofaspecifiedperiod,whicharemerelyabstractimpressionsinreadingmaterial.
Meanwhile,thearchitecturedesigns,whicharemoreoftenthannotamongthemostidiosyncraticinthecity,areworththevisit.Forexample,thefamousLouvre,originatedin13thcentury,takinguptheRenaissancestyleandundergoingtheturbulenceofFrenchGreatRevolution,accommodatingwiththeideasofthefirstgradecontemporaryarchitects,assumeannotonlyuniquebutalsogorgeousfashionthatcanbeseennowhereelse,withthelabyrinth-likestructureandthewonderfulmasterpieces,overwhelmingthevisitors.ThePalaceMuseumitselfisthemostwell-preservedandgrandestancientChinaarchitecturalcomplex.ThesymmetricaldistributionofthebuildingssufficientlyreflectsthephilosophyoftheChinesearchitectureandthestricthierarchyideasofancientChina.
Finally,someofthecollectionsofafamousmuseumaresecondtonoothercelebratedresortlocale.Theyareanotherkindofwonderontheearth,whichdemonstratethesuperlativeingenuityandexorbitantcraftsofhumanbeing.FewcanholdthereextolmenttohimselfwhiletheyarevisitingtheVaticanMuseumanddwarfedbythemasterpiecesoftheRenaissancegenius,namely,RafaelandMichelangelo,whohadbothdevotedtenyearsoftheirgoldeneratothemuseumandsprinkledtheirtalentinthecountlesspaintingsandstatuarywhichhavenowbeenapartofthemuseumitself.Admiringsuchaartisticworkonlyisagreatmind-tuggingthatcanbeexperiencedrightthere,rightthen.
Itisalmostimpossibletotalkofhumancivilizationwithoutmentioningthesignificantrolesplayedbysomeplaces,suchasmuseums,artgalleryandsoon.FromLondontoParis,fromBeijingtoNewYork,museumsattractmillionsofvisitorsfromallovertheworldannually.
Museumiswherepeoplegotogettheireducationandentertainment.Nowadays,moreandmoreparentsareenergeticfortakingtheirchildrentovisithistorymuseumsorartmuseumsinweekend,becausetheyfindthecollectionsandantiquesdisplayedinmuseumscanstimulatetheirchildren’scuriosityandenlargetheirscope.Besides,recentyears,someentertainmentfacilitieswereequippedinmanyChina’smuseums.Forexample,inBeijingAviationMuseum,visitorshavechancetosteergliderundertheguideofpilots.Obvious,museumshavebecomevitalpartsofourlives.
Thesecondmainpurposeofmuseumsisrelatedtotheprotectionofculture.Asweknow,alotofculturalrelics,literatureandantiquesareexhibitedinvariousmuseumsrangingfromhistorymuseumtotechnicalmuseum,frommilitariesmuseumtoseamuseum.Here,visitorswillnotmissanyachievementourancestorshavemadeandtheywillbeshockedbyhumancivilization.Wecannotfindbetterplacesthanmuseumstoprotectthosesymbolsofhumanhistoryandculture.
However,partlybecauseoflimitedfundfromgovernments,partlybecauseofinefficientmanagement,moreandmoremuseumshavetofaceseverefinancialproblems.Itiscommonlybelievedthatourgovernmentsshouldburdenmoreresponsibilitiesandinvestagreatdealofmoneyonmuseums.Besides,themanagersofmuseumsalsoshouldsolvethosetroublesbythemselves,suchasimprovingmanagementefficiency,increasingthepriceofticketsandsellingsouvenirs.
Insummary,asthesymbolofhumancivilization,museumstakeupverysignificantpositionsinourlives.Therearestillmanytroublesneedtobesolved,however,Idobelievethat,astimepasses,peoplewillcometorealizethevalueofmuseumseventually.
Withsocietydevelopingfast,moreandmoremuseumsbecomefreeofvisiting.
Somepeoplethinkthattospreadeducationweneedtomakemuseumsvisitingfree,itwillbenefitbothuscitizensandourcountry.Whileotherpeoplehavedifferentperspectives,theytendtothinkalargenumberofvisitorsdogreatharmtoartsinmuseums,makingthembedamagedfaster.
Isupposethosewhoareseeminglyprotectingartsaremakingaexcuseforwhoknowswhat.Becausetherearewayswecouldworktheproblemout,likestopcrowdsgettingtooclosetothearts.
IntheUK,FranceandGermany’stheMuseumofNaturalHistory,therearemanyaudiencescanparticipateinhands-onexhibits.Someexhibitshaveonlytheproblems,theaudiencecangettheansweronlybyhands.Myfriends,amuseumisanationalmicrocosmofthehistoryandculture,andalsoamicrocosmofnature.Letusgointothemuseumtoenjoythecharmofmuseum